The Byrds’ original lineup in 1965 (from left): Chris Hillman, David Crosby, Michael Clarke, Roger (Jim) McGuinn and Gene Clarkīy Thanksgiving 1964, the band had a bass player, Chris Hillman, a recording contract with Columbia Records, and a new name, the Byrds, retaining McGuinn’s preoccupation with flight and adding a misspelled wink to their heroes. “Wow,” he enthused, “you can dance to that!” Invited to hear their handiwork, Dylan was delighted by its energy and unfazed by their ruthless edit. McGuinn crafted an eight-bar, 12-string intro around a repeated 14-note figure closer to Bach than Chuck Berry, and together they pruned Dylan’s sprawling lyrics, discarding three of its four verses, leaving only the evocative second verse and the yearning chorus. Tambourine Man”’s brisk 2/4 pace and caffeinated, word-drunk lyrics, slowed to a stately 4/4 tempo. When Dickson brought them an acetate of an unreleased Bob Dylan song, the band was initially unimpressed, but with a newly recruited drummer, Michael Clarke, they began rearranging “Mr. McGuinn bought a Rickenbacker 12-string, drawing from his prowess as a guitarist and banjo player as he built a personal style on the instrument. The summer release of A Hard Day’s Night heightened that ambition, influencing not only their sound but their look, starting with the electric guitars they saw George Harrison and John Lennon playing on screen. Related: Our Album Rewind of the Byrds’ Sweetheart of the Rodeoĭickson, an influential folk and bluegrass producer, helped the trio, now billing itself as the Jet Set, get studio time at World Pacific Studios, where they began building a repertoire of original songs inspired by what they heard emanating from Liverpool and London. He also brought a valuable ally in manager Jim Dickson, who took them on as clients. When Crosby heard them singing together at the Troubadour, he added his velvety high tenor, opening their vocal blend to more complex harmonies. All three had headed for Los Angeles, where McGuinn’s acoustic reworkings of Beatles songs caught Clark’s ear, leading to their partnership as a duo. Tambourine Man”įuture Byrds Roger (né Jim) McGuinn, Gene Clark and David Crosby had bonded in early 1964 over a shared infatuation with the Beatles that inspired them to quit gigs with established “collegiate” folk acts. Listen to the Byrds’ #1 hit single of “Mr. Their combined influence could be heard in a widening circle of new rock bands and newly electrified folk artists from that point forward. Tambourine Man can also be heard as the second work in a trinity of definitive albums that codified the genre, preceded in March by Dylan’s electric/acoustic hybrid, Bringing It All Back Home, and followed that summer by the quantum leap of “Like a Rolling Stone” and its full-length manifesto, Highway 61 Revisited. Tambourine Man, the title single had heralded that synthesis in the “jingle jangle morning” of its vividly retooled Dylan song, providing a near-perfect entry point to an album giving equal weight to literate electric cover versions of contemporary folk songs and the band’s impressive original material. By June 1965, when the Los Angeles quintet released its debut album, Mr. More than five decades on, The Byrds stand as folk-rock exemplars who drew a bright line between the Beatles and Bob Dylan, forging an elegant style that fused the exhilarating bloom of the British Invasion with Dylan’s poetic and topical gravitas. Remembering Marty Balin, Jefferson Airplane/Starship Singer.Randy Bachman Talks Beatles & Early Guess Who.Mike + The Mechanics Enlists Nic Collins For Drums on 2023 Tour.Leonard Cohen Tribute Album Features James Taylor, Peter Gabriel, Norah Jones.From the Vaults: Conversations with Steely Dan’s Becker and Fagen.Wolfgang Van Halen Performs ‘Panama’ at 2nd Taylor Hawkins Tribute Concert.Electric Light Orchestra’s ‘Eldorado’: A Mighty Spark.‘The Big Chill’: Friends to Keep You Warm.The Ed Sullivan Show: Pop Music Showcase.Neil Diamond Musical, ‘A Beautiful Noise,’ Coming to Broadway.The 5 Album of the Year Grammys From 1975-1979. Coolio, ‘Gangsta’s Paradise’ Rapper, Dies at 59.First-Generation Rockers: Who’s Still With Us?.Bruce Springsteen Sets Soul Covers Album, ‘Only the Strong Survive’.Mark Farner on Grand Funk Railroad’s Highs & Lows.Billy Joel’s ‘The Stranger’: The Breakthrough.Joni Mitchell Moves Beyond Folk on ‘The Asylum Albums’.John Mellencamp Announces Massive 2023 Tour.Beach Boys Announce ‘Sail on Sailor 1972’ Box Set.Beatles’ ‘Revolver’ Deluxe Edition Reveals More Insight of Their Recording Genius.
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